Carol Ann Duffy

KS4 English

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Havisham

Elvis's Twin Sister

Anne Hathaway

Salome

Before You Were Mine

We Remember Your Childhood Well

Stealing

Education for Leisure

 

 

 

 

Havisham

 

Beloved sweetheart bastard. Not a day since then

I haven't wished him dead, Prayed for it

so hard I've dark green pebbles for eyes,

ropes on the back of my hands I could strangle with.

 

Spinster. I stink and remember. Whole days

in bed cawing Nooooo at the wall; the dress

yellowing, trembling if I open the wardrobe;

the slewed mirror, full-length, her, myself, who did this

 

to me? Puce curses that are sounds not words.

Some nights better, the lost body over me,

my fluent tongue in its mouth in its ear

then down till I suddenly bite awake. Love's

 

hate behind a white veil; a red balloon bursting

in my face. Bang. I stabbed at a wedding-cake.

Give me a male corpse for a long slow honeymoon.

Don't think it's only the heart that b-b-b-breaks.

 

 

Elvis's Twin Sister

 

Are you lonesome tonight? Do you miss me tonight?

Elvis is alive and she's female: Madonna

 

In the convent, y'all,

I tend the gardens,

watch things grow,

pray for the immortal soul

of rock 'n' roll.

 

They call me

Sister Presley here,

The Reverend Mother

digs the way I move my hips

just like my brother.

 

Gregorian chant

drifts out across the herbs

Pascha nostrum immolatus est...

I wear a simple habit,

darkish hues,

 

a wimple with a novice-sewn

lace band, a rosary,

a chain of keys,

a pair of good and sturdy

blue suede shoes.

 

I think of it

as Graceland here,

a land of grace.

It puts my trademark slow lopsided smile

back on my face.

 

Lawdy.

I'm alive and well.

Long time since I walked

down Lonely Street

towards Heartbreak Hotel.

 

 

Anne Hathaway

 

'Item I gyve unto my wife my second best bed...'

(from Shakespeare's will)

 

The bed we loved in was a spinning world

of forests, castles, torchlight, clifftops, seas

where he would dive for pearls. My lover's words

were shooting stars which fell to earth as kisses

on these lips; my body now a softer rhyme

to his, now echo, assonance; his touch

a verb dancing in the centre of a noun.

Some nights, I dreamed he'd written me, the bed

a page beneath his writer's hands. Romance

and drama played by touch, by scent, by taste.

In the other bed, the best, our guests dozed on,

dribbling their prose. My living laughing love -

I hold him in the casket of my widow's head

as he held me upon that next best bed.

 

 

Salome

 

I'd done it before

(and doubtless I'll do it again,

sooner or later)

woke up with a head on the pillow beside me -whose? -

what did it matter?

Good- looking, of course, dark hair, rather matted;

the reddish beard several shades lighter;

with very deep lines around the eyes,

from pain, I'd guess, maybe laughter;

and a beautiful crimson mouth that obviously knew

how to flatter...

which I kissed...

Colder than pewter.

Strange. What was his name? Peter?

 

Simon? Andrew? John? J knew I'd feel better

for tea, dry toast, no butter,

so rang for the maid.

And, indeed, her innocent clatter

of cups and plates,

her clearing of clutter,

her regional patter,

were just what needed -

hungover and wrecked as J was from a night on the batter.

 

Never again!

I needed to clean up my act,

get fitter,

cut out the booze and the fags and the sex.

Yes. And as for the latter,

it was time to turf out the blighter,

the beater or biter,

who'd come like a lamb to the slaughter

to Salome's bed.

 

In tile mirror, I saw my eyes glitter.

I flung back the sticky red sheets,

and there, like I said -and ain't life a bitch -

was his head on a platter.

 

 

 

Before You Were Mine

 

I'm ten years away from the corner you laugh on

with your pals, Maggie McGeeney and Jean Duff.

The three of you bend from the waist, holding

each other, or your knees, and shriek at the pavement.

Your polka-dot dress blows round your legs. Marilyn.

 

I'm not here yet. The thought of me doesn't occur

in the ballroom with the thousand eyes, the fizzy, movie tomorrows

the right walk home could bring. I knew you would dance

like that. Before you were mine, your Ma stands at the close

with a hiding for the late one. You reckon it's worth it.

 

The decade ahead of my loud, possessive yell was the best one, eh?

I remember my hands in those high-heeled red shoes, relics,

and now your ghost clatters toward me over George Square

till I see you, clear as scent, under the tree,

with its lights, and whose small bites on your neck, sweetheart?

 

Cha cha cha! You'd teach me the steps on the way home from Mass, stamping stars from the wrong pavement. Even then

I wanted the bold girl winking in Portobello, somewhere

in Scotland, before I was born. That glamorous love lasts

where you sparkle and waltz and laugh before you were mine.

 

 

We Remember Your Childhood Well

 

Nobody hurt you Nobody turned off the light and argued

with somebody else all night. The bad man on the moors

was only a movie you saw. Nobody locked the door.

 

Your questions were answered fully. No. That didn't occur.

You couldn't sing anyway, cared less. The moment's a blur a Film Fun

laughing itself to death in the coal fire. Anyone's guess.

 

Nobody forced you. You wanted to go that day. Begged. You  chose

the dress. Here are the pictures, look at you. Look at us all,

smiling and waving, younger The whole thing is inside your head.

 

What you recall are impressions; we have the facts. We called he tune.

The secret police of your childhood were older and wiser than you, bigger

than you. Call back the sound of their voices. Boom. Boom. Boom.

 

Nobody sent you away. That was an extra holiday, with people

you seemed to like. They were firm, there was nothing to fear.

There was none but yourself to blame if it ended in tears.

 

What does it matter now? No, no, nobody left the skidmarks of sin

on your soul and laid you wide open for Hell. You were loved.

Always. We did what was best. We remember your childhood well.

 

 

Stealing

 

The most unusual thing I ever stole? A snowman.

Midnight. He looked magnificent; a tall, white mute

beneath the winter moon. I wanted him, a mate

with a mind as cold as the slice of ice

within my own brain. I started with the head.

 

Better off dead than giving in, not taking

what you want He weighed a ton; his torso,

frozen stiff, hugged to my chest, a fierce chill

piercing my gut. Part of the thrill was knowing

that children would cry in the morning. Life's tough.

 

Sometimes I steal things I don't need. I joy-ride cars

to nowhere, break into houses just to have a look.

I'm a mucky ghost, leave a mess, maybe pinch a camera.

I watch my gloved hand twisting the doorknob.

A stranger's bedroom. Mirrors. I sigh like this -Aah.

 

It took some time. Reassembled in the yard,

he didn't look the same. I took a run

and booted him Again. Again. My breath ripped out

in rags. It seems daft now. Then I was standing

alone amongst lumps of snow, sick of the world.

 

Boredom. Mostly I'm so bored I could eat myself.

One time, I stole a guitar and thought I might

learn to play. I nicked a bust of Shakespeare once,

flogged it, but the snowman was strangest.

You don't understand a word I'm saying, do you?

 

 

Education for Leisure

 

Today I am going to kill something. Anything.

I have had enough of being ignored and today

I am going to play God. It is an ordinary day,

a sort of grey with boredom stirring in the streets

 

I squash a fly against the window with my thumb.

we did that at school. Shakespeare. It was in

another language and now the fly is in another language.

I breathe out talent on the glass to write my name.

 

I am a genius. I could be anything at all, with half

the chance. But today I am going to change the world.

something’s world. The cat avoids me. The cat

knows I am a genius, and has hidden itself.

 

I pour the goldfish down the bog. I pull the chain.

I see that it is good. The budgie is panicking.

Once a fortnight, I walk the two miles into town

For signing on. They don’t appreciate my autograph.

 

There is nothing left to kill. I dial the radio

and tell the man he’s talking to a superstar.

he cuts me off. I get our bread-knife and go out.

the pavements glitter suddenly. I touch your arm.